Luciography - Revision history

Dorothée at 17:10, 16 July 2020

2020-07-16T17:10:57Z

Dorothée at 16:58, 16 July 2020

2020-07-16T16:58:30Z

Dorothée at 16:50, 16 July 2020

2020-07-16T16:50:54Z

Dorothée: /* Notes */

2020-02-19T10:38:53Z

‎Notes

Dorothée: /* Notes */

2020-02-19T10:38:30Z

‎Notes

Dorothée: /* Notes */

2020-02-19T10:37:52Z

‎Notes

Dorothée at 06:53, 3 October 2019

2019-10-03T06:53:07Z

Dorothée at 06:30, 3 October 2019

2019-10-03T06:30:41Z

Dorothée: /* Images of Atys - "From engraving to luciogram" */

2019-07-31T15:51:30Z

‎Images of Atys - "From engraving to luciogram"

Dorothée at 15:25, 31 July 2019

2019-07-31T15:25:06Z

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 **'''Luciogram''' or just '''Lucio''' : ''name'';by the images resulting from luciographical techniques, invented by [[Paera Ama Din Covee]] in 2525 AJ.  Luciogram are made exclusively from Atys' organic materials, in an environmentally friendly and "magic-free" way.
 **'''Luciograph''' : ''name''; the device used to make lucios (luciograms).
 **'''Luciographic, Luciographical''' : ''adjective"; related to Luciography.

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 *''The above text comes directly from the site: <nowiki>http://www.lanouvellefeuille.info</nowiki>, currently closed. It is still archived, but for how long? Writing down, the explanations here seems important to me, for the knowledge preservation. [[Paera Ama Din Covee|Paera]]''
 **Web archive: https://web.archive.org/web/20070221065745/http://www.lanouvellefeuille.info/article.php?id_article=184 ;  November 12, 2004<br />
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 |DE =Luciografie|DEs=4
 |EN =Luciography|ENs=4
-|ES =Luciografía|ESs=1
+|ES =Luciografía|ESs=4
 |FR =Luciographie|FRs=0
 |RU =Луциография|RUs=1

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 I have carried out many tests, often unsuccessful or which have only allowed me to obtain vague, blurred and ephemeral shapes. I used the wood, the bark, the amber that my pickaxe allowed me to obtain in abundance. In vain. So I turned to our hunters and managed to get good wing samples from [[kizoar]]. Under the horny elytra, we find the wing itself, excellent for its padding parry properties, but whose interest for me was mainly in its transparency and hardness after drying.
-On a plate cut out of the wing of [[kizoar]], I spread a mixture of egg white [[Izam]] and glue resin, then I plunge it into a silverweed bath. The mixture of egg white and resin allows the sap to adhere to the transparent wing. Once the excess sap has been washed and the plate dried, it can be used to fix an image. Placed at the bottom of a kachine box (lighter and easier to handle than the heavy motega of my childhood), the plate is exposed to light via an orifice that can be closed at its convenience. After a few minutes, the perfect image was printed on the sap. Several baths of warm silverweed with other saps and a little kitin ichor allow it to be revealed and fixed.
+On a plate cut out of the wing of [[kizoar]], I spread a mixture of [[Izam]] egg white and glue resin, then I plunge it into a silverweed bath. The mixture of egg white and resin allows the sap to adhere to the transparent wing. Once the excess sap has been washed and the plate dried, it can be used to fix an image. Placed at the bottom of a kachine box (lighter and easier to handle than the heavy motega of my childhood), the plate is exposed to light via an orifice that can be closed at its convenience. After a few minutes, the perfect image was printed on the sap. Several baths of warm silverweed with other saps and a little kitin ichor allow it to be revealed and fixed.
 One of my first attempts with this technique allowed me to obtain this very beautiful image of the embassy building in [[Fairhaven]], taken from Lower Chamber Avenue: